Proporcje is a two-movement work built from brief, exact compositions that examine alignment: between body and perception, voice and silence, light and judgment.

The first part remains close to lived scenes — mirrors, corridors, gestures, small negotiations with space. The second distills those observations into quieter calibrations, where proportion is not defined but felt as pressure, absence, or shift.

The text does not argue for geometry; it allows proportion to emerge from moments in which something almost fits and does not.

Language is pared back. Sentences alternate in length and density. There is no manifesto, no metaphysical proclamation. Instead, the book works by subtraction.

What remains is a sustained attention to balance — not as harmony, but as a condition that must be repeatedly adjusted.